Or so they say.
Okay, it could happen, perhaps it has happened, and–if so–it might happen again.
Truth is, authors are influenced by everything that happens to them, the people they know, the offices where they work, the regions where their families came from and where they grew up, and by all the places they’ve visited. The rely strongly on these even though their fiction may well be a long way from autobiographical.
I’ve written novels and short stories set in the Florida Panhandle because I grew up there. I’ve used Montana because I worked there and have been back for numerous vacation visits. Decatur, Illinois, has figured in my stories because my mother grew up there, we visited my grandparents there while I was growing up, and one of my brothers was born there. So, it’s fun using my knowledge of these places–and, the little known legends from these places–in my stories.
None of my friends, family or enemies has been killed off in any of my books.
Like many people who have visited Paris, London, and Berlin, I have often thought about getting a story in one of those places–or, maybe a scene. I set a couple of scenes in the Netherlands because I worked there one summer while in college. As for the other places, I think I would be behind the eight ball trying to catch up with the common knowledge about those places that’s firmly known by those who did live there and/or who have spent a considerable amount of time there. It’s very difficult–if not impossible–for an author to write a credible story set in a known place if he doesn’t really know that place.
There are a lot of reasons why my Conjure Woman’s Cat and Eulalie and Washerwoman novels are set in the 1950s. Primarily, it’s because the racist situations my characters fight against were common then. But there’s also another reason: that’s when I lived there, and I haven’t been there since 1986. My knowledge of the Florida Panhandle as it is now isn’t strong enough for me to write a book set there in 2017.
One can get around this to some extent if one gets a grant that includes travel, if one has a bestselling author’s budget and can travel there or pay a staff to travel there. You’ve probably heard the expression many times that “the map is not the territory.” Likewise, I think that–for a writer needing facts that are only apparent when s/he lives in a place or can afford extensive visits to a place–the Internet is also not the territory. One cannot Google his or her way into knowing what a native knows.
I’ve never felt limited by restricting my self to places I’ve lived or worked or seen extensively during trips. The joy for me is having a wealth of information that can become part of the stories in such an organic way that no reviewer can say “my research shows.” That usually happens when a writer doesn’t really know a place, does a lot of expensive research, and tries to jam it all into a novel whether it naturally fits or not.
One of my characters in the 1954-era novel in progress just took some photographs on a Florida road with a Brownie Hawkeye Camera. I’ve seen that road and I took pictures in that area with a Brownie Hawkeye when was a kid. I still have the camera. Using such details–things that relate to my life and experiences–is a lot more satisfying than writing down the names of people who tick me off so that they can be “taken care of” in my next novel or short story.
At least, this is my story and I’m sticking to it.