The Sun Singer's Travels

Malcolm R. Campbell's World

Archive for the tag “Conjure Woman’s Cat”

Free audiobook: ‘Conjure Woman’s Cat’

I have a few ACX codes for those of you who would like to listen to the audiobook edition of Conjure Woman’s Cat. This edition won a prestigious Red Earphones Award from AudioFile Magazine. That means my narrator Wanda J. Dixon did a wonderful job!

To get your ACX code, which allows you to order the book from Audible for free, e-mail me at grinnellglacier@yahoo.com. Put “Conjure Woman’s Cat” in the header. Just say something like, please send me a code, and tell me if you’re going to use Audible US or Audible UK.

I’ll hit REPLY and send you the code. Then, come back here and click on the graphic to go to the book’s listing on Audible (US).

Or, if you live in the UK, click here for the book’s listing.

You’ll either see a field where you can enter the code or a link that says “Do you have a promotion code?’

I don’t have 100000000000000 codes, but the few I do have are first come, first served.

Book’s Description

Lena, a shamanistic cat, and her conjure woman Eulalie live in a small town near the Apalachicola River in Florida’s lightly populated Liberty County, where longleaf pines own the world. In Eulalie’s time, women of color look after white children in the homes of white families and are respected, even loved, but distrusted and kept separated as a group. A palpable gloss, sweeter than the state’s prized tupelo honey, holds their worlds firmly apart. When that gloss fails, the Klan restores its own brand of order. When some white boys rape and murder a black girl named Mattie near the sawmill, the police have no suspects and don’t intend to find any. Eulalie, who sees conjure as a way of helping the good Lord work His will, intends to set things right by “laying tricks.” But Eulalie has secrets of her own, and it’s hard not to look back on her own life and ponder how the decisions she made while drinking and singing at the local juke were, perhaps, the beginning of Mattie’s ending.

AudioFile Magazine Review Excerpt

Wanda J. Dixon’s warmth and gorgeous singing voice are superb in this story about Conjure Woman Eulalie, which is told through the voice of her cat and spirit companion, Lena. Dixon zestfully portrays Eulalie, who is “older than dirt” and is kept busy casting spells, mixing potions, and advising people–that is, when the “sleeping” sign is removed from her door. Most distinctive is Eulalie’s recurring sigh, which conveys her frustration with Florida in the 1950s, when Jim Crow laws and “Colored Only” signs were routine. Dixon’s Lena is fully believable when she spies around town and reports to Eulalie that rednecks have raped and murdered a young women. They almost escape until Eulalie persuades a witness to come forward. Listeners will marvel at the magical realism in this story and benefit from the helpful glossary of the charming local dialect. S.G.B. Winner of AudioFile Earphones Award © AudioFile

I hope you enjoy the book.

–Malcolm

Audiobooks for your summer vacation

Let’s face it, no matter how much you like traveling, there will be periods of inactivity when an easy-to-listen-to audiobook might keep you from going nuts (or worse). Expediently, here are for of mine for you consideration:

Eulalie and Washerwoman

AudioFile Magazine: Narrator Tracie Christian’s spirited style is ideal to portray the fantasy world of conjure woman Eulalie Jenkins and her shamanistic cat, Lena, who live in Florida in the 1950s. Christian captures Eulalie’s shock when she learns that Jewish merchant Lane Walker, who’s always traded fairly with the local African-Americans, is being forced to give up his store to the Liberty Improvement Club, which forbids serving blacks. Lively descriptions of Eulalie reading possum bones and casting spells; tender scenes with her old beau, Willie Tate; and feline Lena’s communication with Eulalie via secret thought speech add to the local atmosphere. Listeners will be thrilled when Eulalie transports herself into an alligator to save Walker. S.G.B. © AudioFile 2017

Conjure Woman’s Cat

AudioFile Magazine Red Earphones Award Winner: Wanda J. Dixon’s warmth and gorgeous singing voice are superb in this story about Conjure Woman Eulalie, which is told through the voice of her cat and spirit companion, Lena. Dixon zestfully portrays Eulalie, who is “older than dirt” and is kept busy casting spells, mixing potions, and advising people–that is, when the “sleeping” sign is removed from her door. Most distinctive is Eulalie’s recurring sigh, which conveys her frustration with Florida in the 1950s, when Jim Crow laws and “Colored Only” signs were routine. Dixon’s Lena is fully believable when she spies around town and reports to Eulalie that rednecks have raped and murdered a young women. They almost escape until Eulalie persuades a witness to come forward. Listeners will marvel at the magical realism in this story and benefit from the helpful glossary of the charming local dialect. S.G.B. Winner of AudioFile Earphones Award © AudioFile 2016

Jock Stewart and the Missing Sea of Fire

AudioFile Magazine: Narrator R. Scott Adams’s rapid-fire delivery mirrors the speech of fast-talking old-style newshound Jock Stewart. Listeners need all their skills of concentration, or they’ll miss the story’s wit and even the occasional clue. Sea of Fire is a missing racehorse, but the mystery of his whereabouts sometimes seems merely incidental. The story is high on humor but light on plot–a vehicle for sex, cigarettes, steak, and zinfandel. Stewart, a print journalist, is a likable dinosaur in a changing world. Adams’s timing is perfect, but a second listen is recommended to catch what is missed first time around. C.A.T. © AudioFile 2015

Emily’s Stories

Reader Review: I like it when kids are smarter than adults in stories like this. It gives me hope. The author ‘s writing had a ‘Peter Pan’ feel to it – not that it reads like ‘Peter Pan’ but it’s a kid being powerful and doing something positive. And there is also a magical ‘The Secret Garden’ kind of feel in here.The kid is powerful because she can see & hear the beauty and the magic in Nature. This audiobook has the coldest, scariest ghost voice in the world and also the wonderful open, free and uninhibited voice of ‘Emily’. AND the voices of birds and much more. The widest range of voices I’ve heard from a narrator. And all seemed real, not forced. I believed it – I believed this could happen. M. Stein

Why I wrote ‘Conjure Woman’s Cat’

Because the world around me when I was growing up included this kind of warped nonsense:

Florida Memory Photo

Any questions?

–Malcolm

Conjure Woman’s Cat and its sequel Eulalie and Washerwoman are available at multiple online sites as well as at your book store via their Ingram Catalogue.

Yes, bookstores can order my paperback novels

I’ve added the Thomas-Jacob Publishing logo to my cover photograph because this wonderful traditional publisher has published some of my Kindle books, audiobooks and paperbacks.

What this means is that you can walk into your local bookstore for my books rather than buying on line. If they’re not already on the shelf, the folks there can order my paperbacks from their Ingram catalogue under the same standard bookstore terms and conditions that brought all the other books into their store. Some stores, including one in the town where I live have bookshelves reserved for local authors. We appreciate that.

This includes Sarabande, Conjure Woman’s Cat, and Eulalie and Washerwoman.

Personally, I prefer ordering books from local stores, especially the locally own, independents because that puts money back into the community through salaries, property taxes and business license feels. Beats sending those dollars off to the major online booksellers. And when you buy locally, you don’t have order more books that you really want to get free shipping.

–Malcolm

 

Research falls out of the sky from the strangest places

Writers never know when a fact’s going to be needed. So, we jot things down in notebooks and/or keep links in a DOC file.

adamI like looking at the wild sheet music covers on American Memory, the Library of Congress site filled with recordings, photographs and articles from long ago. There’s a lot of good stuff out there even though the search engine can use some work; by that I mean, stuff shows up in the list of hits that has nothing to do with the search terms.

Old sheet music had covers that don’t match today’s political correctness, music lovers’ styles and fads, or even the kind of music we like. That’s why they’re fun to look at.

Needless to say, when I saw the cover for “Why Adam Sinned,” a song written in 1904 by Alex Rogers and performed by Aida Overton Walker, I wanted to know why.

Due to copyright restrictions, I can’t reproduce the lyrics here, though you can find them elsewhere if you keep looking. But the why of it is this: He sinned because he didn’t have a mother to teach him right from wrong.

Now, since Eulalie–my African American conjure woman in “Conjure Woman’s Cat” and “Eulalie and Washerwoman”–is also a singer and makes a lot of references to music, this “why” about Adam is perfect for her to say in a conversation about the good Lord. Who knows when and where I’ll use it, but sooner or later she just might tell the deacon something like this:

“‘It’s just like the song testified about: He didn’t have no Mammy to teach him right from wrong,’ said Eulalie.”

OR IF I WANT TO ADD A BIT OF HISTORY:

“‘It’s just like Aida Walker sang: He didn’t have no Mammy to teach him right from wrong,’ said Eulalie.”

The deacon probably won’t like hearing that, but she won’t care because she likes stirring things up.

Writers collect bits and pieces of stuff like some people save baseball cards or have rooms filled with old car parts or stuff from along the side of the road that might come in handy some day.

You just never know. . .

–Malcolm

cwcBoth conjure woman novels are available in audiobook, e-book and paperback from major online booksellers; you can also ask your nearby bookstore to order them from their Ingram catalogue.

BOOKS: New, On Sale, and Free

New from Smoky Zeidel

redeeninggrace

It’s the early twentieth century, and the tragic deaths of her mother and two younger siblings have left Grace Harmon responsible for raising her sister Miriam and protecting her from their abusive father Luther, a zealot preacher with a penchant for speaking in Biblical verse who is on a downward spiral toward insanity.

In the midst of his delusions, Luther believes God has abandoned him and devises a plan to get back into His good graces—a plan that puts both his daughters’ lives in danger and unleashes a frenzy of events that threaten to destroy the entire family.

Will Luther succeed in carrying out his crazed plot against his daughters, or will an unlikely hero step in to rescue them all?

On Sale for 99 cents January 20th from Thomas-Jacob Publishing

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appalachianjustice

 

  • History of my Body: Few of the eccentric inhabitants of her father’s Main Line, Philadelphia estate have much time for Fleur Robins, an awkward child with a devotion to her ailing grandfather, a penchant for flapping and whirling, and a preoccupation with God and the void. While her mother spends much of her time with her hand curled around a wine glass and her abusive father congratulates himself for rescuing babies from “the devil abortionists,” Fleur mourns the fallen petals of a rose and savors the patterns of light rippling across the pool. When she fails to save a baby bird abandoned in her garden, a series of events unfold that change everything.
  • Appalachian Justice: Billy May Platte is a half Irish, half Cherokee Appalachian woman who learned the hard way that 1940s West Virginia was no place to be different. As Billy May explains, “We was sheltered in them hills. We didn’t know much of nothin’ about life outside of them mountains. I did not know the word lesbian; to us, gay meant havin’ fun and queer meant somethin’ strange.”
  • Conjure Woman’s CatLena, a shamanistic cat, and her conjure woman Eulalie live in a small town near the Apalachicola River in Florida’s lightly populated Liberty County, where longleaf pines own the world. In Eulalie’s time, women of color look after white children in the homes of white families and are respected, even loved, but distrusted and kept separated as a group. A palpable gloss, sweeter than the state’s prized tupelo honey, holds their worlds firmly apart. When that gloss fails, the Klan restores its own brand of order.

Free on Kindle January 18-20

willingspiritsWhen a high school student named Prudence waits until the last minute to write a book report, she finds help from an unlikely source: the dead author. What could possibly go wrong?

The author in question is the famed Patience Worth, the spirit who wrote books and spoke to St. Louis over a century ago through a  Ouija board via medium Pearl Curran until Curran died in 1937. Patience’s voice and her pen have been silent for a long time, waiting for someone who will listen.

 

 

 

AudiioFile Earphones Award for ‘Conjure Woman’s Cat’

This certificate came in the mail the day before Christmas. What a nice present. Might put this one in a frame. If you click on the graphic, you can see the write-up that went with it.

earphonesawardmedium

Thomas-Jacob Publisher, Melinda Clayton, and I were very happy with Wanda J. Dixon’s exciting narration for the Conjure Woman’s Cat audiobook.

–Malcolm

 

 

 

Paramour Rights, the past you seldom hear about

In 1952, African American Ruby McCollum of Live Oak, Florida was tried and convicted of murdering a local white doctor whom she claimed had been forcing her to have sex with him for years. The Florida Supreme Court overturned the conviction due to a technicality, but McCollum was judged insane before a new trial could be convened and was placed in a state mental institution. Those who covered the trial think it was prejudicial in multiple ways, including the fact that McCollum was allowed to say little or nothing in her own defense.

I mention this because during this case, we heard the term “paramour rights,” the notion–stemming from the days of slavery–that white men could have non-consensual sex with any Black woman they wanted with little if any consequences.

Danielle L. McGuire writes in her  2004 “The Journal of American History” article, “It Was like All of Us Had Been Raped: Sexual Violence, Community Mobilization, and the African American Freedom Struggle,” Despite a growing body of literature that focuses on the roles of black and white women and the operation of gender in the movement, sexualized violence-both as a tool of oppression and as a political spur for the movement-has yet to find its place in the story of the African American freedom struggle. Rape, like lynching and murder, served as a tool of psychological and physical intimidation that expressed white male domination and buttressed white supremacy.”

My novel Conjure Woman’s Cat mentions the rape of a black woman by white males. In my fictional account, the police don’t even bother to investigate because this was, sad to say, par for the course. Black women in those days were portrayed, even in official court transcripts, as sexual Jezebels, “Nigger wenches,” and as women who liked being assaulted by white men.

A “classmate” of mine (I put the word in quotes because we didn’t know each other) was one of four men who raped an African American woman at gun and knife point. His sister was in my high school class. We knew each other, but moved in different circles, so we never discussed the crime or the impact it had upon her or the family. In the high school yearbook, X was a senior and–as such–appears wearing a black bow tie, a white jacket, and a white shirt. He was active in school activities. He didn’t look like a man who would spend the rest of his life on the sexual offender lists.

He and his sister are still alive, so I won’t mention their names or the name of the victim who has passed away. I never saw an interview with the victim or any account of long-term psychological damage after the verdict was announced. She showed great courage during the trial as she described the event and never flinched under defense attempts to paint the seven sexual encounters of the evening as what she wanted.

The first surprising fact in 1959 was that X and the three other thugs who committed the crime were arrested. The second surprising fact was that they were held in jail while awaiting trial. They had confessed, but claimed the sex was consensual, and made light of the whole thing like it was boys having fun. The biggest surprise of all is that they were convicted and sentenced to life in prison. How unusual this way for that day and time.

It was a victory, a wedge driven into the status quo, a precedent showing times might be changing, even though the rapists were out on parole within six or seven years. In Conjure Woman’s Cat, the men aren’t convicted because–in the “real life” of 1954 when the novel is set–they seldom were found guilty of anything. In those days, that was life as usual.

–Malcolm

This and that about books (while drinking a glass of water)

Usually, a glass of wine is called for while writing my this and that posts. It’s too early in the day for that, and with the Georgia drought and its mandatory water restrictions, water may soon cost more than booze.

Here’s the latest news:

  • atravessiadecoraA Travessia a Cora, the Portuguese edition  of my paranormal short story “Cora’s Crossing” was released today on iTunes, Nook, Kobo, Sribd, and is coming soon on Kindle.  Publisher’s description: Two young men are mysteriously drawn to an old bridge during a rogue thunderstorm, where they discover the dead are waiting to speak and their lives are in jeopardy when they help an injured young woman they find beside the road. “Cora’s Crossing” was inspired by the now-abandoned Bellamy Bridge (which the author last saw 50 years ago) over the Chipola River near the town of Marianna in the Florida Panhandle, and the local folk legend that claims the bridge is haunted by a 175-year-old ghost who died tragically on her wedding night when her dress caught fire.
  • Conjure Woman’s Cat: Thank you to everyone who entered the recent free Amazon give-away in which Kindle copies went to to the five winners. I hope you enjoy this 1950s’-era novel set in the Florida Panhandle about a conjure woman who fights the KKK with folk magic.
  • ewkindlecoverEulalie and Washerwoman: My publisher is currently reviewing the narrator’s sound files for the upcoming audiobook edition. If all goes well, I hope it will be available before Christmas. Publisher’s short description: Torreya, a small 1950s Florida Panhandle town, is losing its men. They disappear on nights with no moon and no witnesses. Foreclosure signs appear in their yards the following day while thugs associated with the Klan take everything of value from inside treasured homes that will soon be torn down. The police won’t investigate, and the church keeps its distance from all social and political discord.
  • Smoky Zeidel Interview:  Here’s an interesting interview from one of my collegues at Thomas-Jacob Publishing. She’s the author of The Cabin (novel) and Sometimes I Think I Am Like Water (poetry), both of which are on sale today on Amazon.
  • claytonmisunderstoodA Woman Misunderstood, the second novel in Melinda Clayton’s Tennessee Delta Series will be released December 1 from Thomas-Jacob Publishing.  The novel follows Blessed Are the Wholly Broken (2013). Clayton is also the author of the Cedar Hollow Series. A Woman Misunderstood is available for pre-order on Amazon. Publisher’s short description: On a sweltering July morning in rural Tennessee, fifty-year-old Rebecca Reynolds visits the family farm, where she literally stumbles across the mutilated bodies of her parents and younger sister, a sister who had spent life in a wheelchair after a birth fraught with complications.

According to Georgia’s mandatory water restrictions, odd people get to water plants outside on Sundays and Thursdays after 4 p.m. and throughout the night. That means that while you’re watching football, taking a nap or getting ready for supper, I’ll be dragging a hose around the yard. Yeah, I know you’re worried about me.

Malcolm

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That elusive racial equality

A 2014 USA Today article “Equality still elusive 50 years after Civil Rights Act” notes that “Blacks have made many economic and educational gains, but progress still falls short.”

After so much recent racial unrest, some people might say that article is an understatement. I frankly don’t know, partly because fake news sites are putting out erroneous stories from both sides of the political aisle that skew what we know. And, some major news outlets slant their coverage so that news that might balance out stories about nasty incidents isn’t covered.

President Johnson signing the Civil Rights Act.

President Johnson signing the Civil Rights Act.

I grew up in a segregated state that had a strong KKK. When any progress toward equality was made, or even suggested, the Klan showed up. My church split into two churches when the main downtown church welcomed Blacks. I wondered how many people in the group that split off were members of the Klan. The thing is, one seldom knew. This environment impacted my childhood due to the fear, unrest, discord and unfairness of the status quo.

Frankly, once the Civil Rights Act of 1964 was passed, I thought we’d begin to see progress. It never dawned on me then that 50 years later that so much racial inequality, distrust and outright hatred would still exist. I guess I was more naive than I knew.

I didn’t write Conjure Woman’s Cat and Eulalie and Washerwoman because I thought they would impact the current national dialogue about race. I wrote them primarily because I needed to speak to the fear and uncertainty I saw as a child in hopes of finding closure, and secondarily to remind people of a discouraging part of our history. It goes without saying, I suppose, that I also wanted to tell interesting and compelling stories.

I also grew up seeing that the Black church and the folk magic components of Black culture were being maligned. So I wanted to present fair and hopefully accurate stories that took those realities seriously–along with the blues music so closely associated with them–instead of as the targets of stereotype slurs I still hear too much of today. I hope readers will enjoy a look at these realities that’s both entertaining and a breath of fresh air.

I’m writing this post because racial issues are so much in the news today that I’m constantly forced back into memories of my childhood where–as I said somewhere in another post–I lost my innocence about our school lessons teaching us that everyone is treated equally socially, economically and legally. Writing these novels helped me sort out a lot of things, but I’m still waiting for closure.

–Malcolm

Click on the graphic to see my website:

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